YOUNG MUNGO

FINALIST FOR THE BRITISH BOOK AWARDS FICTION BOOK OF THE YEAR

WINNER BRITISH BOOK AWARDS AUDIOBOOK OF THE YEAR

LONGLISTED FOR THE CARNEGIE MEDAL

LONGLISTED FOR THE DUBLIN LITERARY AWARD

FINALIST FOR THE TIK TOK BOOK OF THE YEAR

FINALIST FOR THE NOTA BENE AWARD

FINALIST FOR THE POLARI PRIZE FOR FICTION

LONGLISTED FOR THE GOLDSBORO BOOKS GLASS BELL AWARD

SHORTLISTED FOR SCOTLANDS NATIONAL BOOK AWARD

Named a Best Book of the Year by the Washington Post, NPR, Time, Kirkus Reviews, Guardian, Amazon, Apple, BookPage, BookBrowse, Library Journal, Reader’s Digest, AARP, Hudson Booksellers, Chicago Public Library, and the Times (UK)

An Amazon Best Book of the Year So Far (#15)

A New York Times Book Review Editors’ Choice

Named a Most Anticipated Book of 2022 by the New York Times, Time, Vogue, San Francisco Chronicle, Guardian, Entertainment Weekly, Irish Times, Kirkus Reviews, and Literary Hub

From the Booker-prizewinning author of Shuggie Bain, comes an extraordinary, page-turning second novel, a vivid portrayal of working-class life and a highly suspenseful story of the dangerous first love of two young men: Mungo and James.

Born under different stars, Protestant Mungo and Catholic James live in the hyper-masculine and violently sectarian world of Glasgow's housing estates. They should be sworn enemies if they're to be seen as men at all, and yet they become best friends as they find a sanctuary in the pigeon dovecote that James has built for his prize racing birds. As they find themselves falling in love, they dream of escaping the grey city, and Mungo works especially hard to hide his true self from all those around him, especially from his elder brother Hamish, a local gang leader with a brutal reputation to uphold.

But the threat of discovery is constant and the punishment unspeakable. When Mungo's mother sends him on a fishing trip to a loch in Western Scotland with two strange men whose drunken banter belies murky pasts, he will need to summon all his inner strength and courage to get back to a place of safety, a place where he and James might still have a future.

Imbuing the everyday world of its characters with rich lyricism and giving full voice to people rarely acknowledged in literary fiction, Douglas Stuart's Young Mungo is a gripping and revealing story about the bounds of masculinity, the push and pull of family, the violence faced by so many queer people, and the dangers of loving someone too much.

“Young Mungo seals it: Douglas Stuart is a genius . . . A tale of romantic and sexual awakening punctuated by horrific violence. . . . The raw poetry of Stuart’s prose is perfect to catch the open spirit of this handsome boy . . . Stuart quickly proves himself an extraordinarily effective thriller writer. He’s capable of pulling the strings of suspense excruciatingly tight while still sensitively exploring the confused mind of this gentle adolescent trying to make sense of his sexuality . . . But even as Stuart draws these timelines together like a pair of scissors, he creates a little space for Mungo’s future, a little mercy for this buoyant young man.”

—Ron Charles,Washington Post

“[A] bear hug of a new novel . . . It’s a classic Dickensian arc: The unwanted young lad, hoping for better things, is caught up in broader violent schemes and made to choose between the life he wants for himself and the one set out before him . . . But novelists have been flaccidly imitating the 19th century realists for so long that it’s a shock when one carries it out this successfully. Stuart oozes story. Mungo is alive. There is feeling under every word . . . This novel cuts you and then bandages you back up.”

—Hillary Kelly, Los Angeles Times

“The working-class 1980s Glasgow of Douglas Stuart’s Booker Prize-winning debut Shuggie Bain is again the setting of his follow-up Young Mungo, and with it come the violence, religious tribalism, economic depression, diehard loyalties and fatalistic humor of the era, all expressed in the crooked poetry of Glaswegian dialect . . . The crafted storylines in Young Mungo develop with purpose and converge explosively, couching all the horror and pathos within a tighter, more gripping reading experience—an impressive advancement, in other words, from an already accomplished author.”

—Sam Sacks, Wall Street Journal

“A nuanced and gorgeous heartbreaker of a novel . . . It’s a testament to Stuart’s unsparing powers as a storyteller that we can’t possibly anticipate how very badly—and baroquely—things will turn out. Young Mungo is a suspense story wrapped around a novel of acute psychological observation. It’s hard to imagine a more disquieting and powerful work of fiction will be published anytime soon about the perils of being different.”

—Maureen Corrigan, NPR’s Fresh Air

“Young Mungo bridges the worlds of Stuart’s earlier novel and stories . . . Stuart writes beautifully, with marvelous attunement to the poetry in the unlovely and the mundane . . . The novel conveys an enveloping sense of place, in part through the wit and musicality of its dialogue.”

—Yen Pham, New York Times Book Review

“Young Mungo is a finer novel than its predecessor, offering many of the same pleasures, but with a more sure-footed approach to narrative and a finer grasp of prose. There are sentences here that gleam and shimmer, demanding to be read and reread for their beauty and their truth . . . The way that Stuart builds towards exquisite set pieces, moments in time that take on an almost visionary aspect; the powerful and evocative descriptions of sex and nature in language that soars without ever feeling forced or purple; the manner in which he binds you into the lives of his characters, making even the most brutal and self-interested members of the family somehow not only forgivable, but lovable. I sobbed my way through Shuggie Bain and sobbed again as Young Mungo made its way towards an ending whose inevitability only serves to heighten its tragedy. If the first novel announced Stuart as a novelist of great promise, this confirms him as a prodigious talent.”

—Alex Preston, Guardian

“The Sighthill tenement where Shuggie Bain, Stuart’s Booker Prize–winning debut, unfurled is glimpsed in his follow-up, set in the 1990s in an adjacent neighborhood. You wouldn’t think you’d be eager to return to these harsh, impoverished environs, but again this author creates characters so vivid, dilemmas so heart-rending, and dialogue so brilliant that the whole thing sucks you in like a vacuum cleaner . . . Romantic, terrifying, brutal, tender, and, in the end, sneakily hopeful. What a writer.”

—Kirkus Reviews (starred review)

“The astonishing sophomore effort from Booker Prize winner Stuart details a teen’s hard life in north Glasgow in the post-Thatcher years . . . Stuart’s writing is stellar . . . He’s too fine a storyteller to go for a sentimental ending, and the final act leaves the reader gutted. This is unbearably sad, more so because the reader comes to cherish the characters their creator has brought to life. It’s a sucker punch to the heart.”

—Publishers Weekly (starred review)

“A searing, gorgeously written portrait of a young gay boy trying to be true to himself in a place and time that demands conformity to social and gender rules . . . Stuart’s tale could be set anywhere that poverty, socioeconomic inequality, or class struggles exist, which is nearly everywhere. But it is also about the narrowness and failure of vision in a place where individuals cannot imagine a better life, where people have never been outside their own neighborhood . . . Stuart’s prize-winning, best-selling debut, Shuggie Bain, ensures great enthusiasm for his second novel of young, dangerous love.”

—Booklist (starred review)

“After the splendid Shuggie Bain, Stuart continues his examination of 1980s Glaswegian working-class life and a son’s attachment to an alcohol-ravaged mother, with results as good yet distinctly different . . . In language crisper and more direct than Shuggie Bain’s, if still spiked with startling similes, Stuart heightens his exploration of the sibling bond and the inexplicable hatred between Glasgow’s Protestants and Catholics, while contrasting Mungo’s tenderly conveyed queer awakening with the awful counterpart of sexual violence. Highly recommended.”

—Library Journal (starred review)

“Stuart shines in familiar territory, writing profoundly about love, brutality, strength and courage.”

—Newsweek

“Across the 800 pages of his two novels, Stuart has been inking a great Hogarthian print, a postmodern Scottish Gin Lane. He can be sardonically funny but he always gets back to scaring the hell out of you and breaking your heart . . . There is right now no novelist writing more powerfully than Douglas Stuart. A strong measure of his success lies in how the reader, while appreciating the artistry of each harrowing scene, continually thinks: Please let it end.”

—Thomas Mallon, Air Mail

“Exploring themes of religious conflict, family tension, and the ever-present danger of attempting to live an authentic life, Stuart writes with the same power and economy of language he displayed in his debut. With characters that are exquisitely drawn and a story you won’t be able to put down, this love story goes far beyond the conventional romance.”

—BuzzFeed

“Few novels are as gutsy and gut-wrenching as Young Mungo in its depiction of a teenage boy who finds love amid family dysfunction, community conflict and the truly terrible predations of adults. Vividly realised and emotionally intense, this scorching novel is an urgent addition to the new canon of unsung stories.”

—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other

“Some novels can be admired, others enjoyed. But it is a rare thing to find a story so engrossing, bittersweet and beautiful that you do not so much read it, as experience it. It is this quality Young Mungo possesses — an intense, lovely, brutal thing. Stuart is a masterful storyteller.”—Kiran Millwood Hargrave, author of The Mercies

“The novels share a brutality and a squirmy, claustrophobic evocation of family life. And they offer a world of exquisite detail: If a perfume creator wished to bottle the olfactory landscape of post-Thatcher-era Glasgow, all the necessary ingredients could be found in Stuart’s descriptions of sausage grease, fruity fortified wine, pigeon droppings and store-bought hair bleach . . . There is crazy greatness in Young Mungo.”

—Molly Young, New York Times

“A blazing marvel of storytelling, as strong and possibly stronger than his Booker Prize-winning debut . . . As affecting, original, and brilliantly written a novel as any we’ll see in 2022 . . . From political hostilities to personal anguish, Stuart harmonizes his notes, pitch-perfect . . . There’s jazz and bounce in his sentences—his cadences are rollicking, his dialogue often comic—but also a meticulous precision . . . I felt the same frisson as when I read works by other leading innovators, among them Kevin Barry, Hilary Mantel, Arundhati Roy, Ali Smith, and Colson Whitehead.”

—Hamilton Cain, Oprah Daily

“An excoriating study of how violence begets violence, a devastating story of how the abused and victimized become abusers or aggressors . . . [Stuart’s] writing is so magnificent and his young hero so endearingly, vibrantly alive that we soldier on through Mungo’s saga of endurance, weepingly inspired like watchers of a war zone, aching to assuage the survivor’s ache, yearning to rescue him from the predations of his enemies, his vindictive older brother, and finally his own darker impulses.”

—Priscilla Gilman, Boston Globe

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